The International Association for Robin Hood Studies (IARHS) is sponsoring two sessions at the 53rd International Congress on Medieval Studies. Please see below for session details and submission information.
1. Multicultural, Multimedia Outlaws (Session of Papers)
The outlaw figure is a universal cross-cultural phenomenon. This session solicits papers that analyze adaptations of narratives about outlaws, whether literary or historical, male or female, from any period (medieval through contemporary), in any medium (ballad, saga, drama, novel, young adult fiction, films, television, comic books, opera, music, to name a few) from any location (Britain, Europe, America(s), Australia, Asia, ranging from the Merry Men to Icelandic outlaws, Ned Kelly, Pancho Villa, and Moll Flanders.
Please send 300-word abstracts, a brief bios, and completed Participant Information Forms to Lorraine Kochanske Stock (firstname.lastname@example.org) by September 1, 2017.
2. Oral Tactics of Medieval Outlaw Literature (Session of Papers)This formal session of papers explores the modes of writing and of performance (and their interconnectedness) that exist within medieval outlaw tales. From the The Outlaw’s Song of Trailbaston to the late-medieval rhymes, plays, games, and “talkings” of Robin Hood, medieval outlaw tales are, like the medieval lyric, ad hoc, improvisatory, and situational works or literature. This session, inspired by Ingrid Nelson’s recent study Lyric Tactics, explores the ways in which the religious, societal, political, and manuscript contexts inform the genre, form, vernacular language, semantics, and voice of a medieval outlaw tale.
Please send 300-word abstracts, a brief bios, and completed Participant Information Forms to Lesley Coote (L.A.Coote@hull.ac.uk) and Alexander L. Kaufman (email@example.com) by September 1, 2017.
Here is a link to the ICMS’s Participant Information Form: